Retract(ors): Two Mouths on their Guard, 2023, oil pastel, soft pastel, and coloured pencils on paper, 57 x 76 cm (Unframed).
Retract(ors): Two Mouths on their Guard, 2023, oil pastel, soft pastel, and coloured pencils on paper, 57 x 76 cm (Unframed).
Anticipatory Grief Before and After Moving to Marley, 2021, series of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Installation view of the solo exhibition 'Wallpaper' at TG in Nottingham. Photograph: Tom Godfrey.
Black Lights, 2023, four ultraviolet fluorescent tubes. (In)visible, 2016, audio, 1:45 mins. Shown in this instance with flush mounted speaker and plastic grille.
Anticipatory Grief Before and After Moving to Marley, 2021, no.36 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Anticipatory Grief Before and After Moving to Marley, 2021, no.25 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Anticipatory Grief Before and After Moving to Marley, 2021, no.37 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Foster, Roy. Roy Foster's Records. The private home of Roy and Epsie 'Blossom' Foster, Great Barr, Birmingham.
Anticipatory Grief Before and After Hearing Marley, 2021, porcelain vessel with photograph (one part of a three-element artwork), dimensions variable.
Foster, Roy. Roy Foster's Records. The private home of Roy and Epsie 'Blossom' Foster, Great Barr, Birmingham.
Anticipatory Grief Before and After Moving to Marley, 2021, no.11 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Anticipatory Grief Before and After Moving to Marley, 2021, no.1 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Anticipatory Grief Before and After Moving to Marley, 2021, no.5 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.
Anticipatory Grief Before and After Moving to Marley, 2021, no.2 of 38 digital prints, glass, nails. Exhibition copy size: 29.6 x 21 cm each.